September292014

iwriteaboutfeminism:

Protesters are angry about these strange negotiations to release protesters. What kind of practice is this?

September 28th

(via nonstandardrepertoire)

1PM
“Except you can’t show a topless woman on TV - and you can’t defibrillate a woman in a bra. So victims of heart attacks on TV are always male. Did you know that a woman having a heart attack is more likely to have back or jaw pain than chest or left arm pain? I didn’t - because I’ve never seen a woman having a heart attack. I’ve been trained in CPR and Advanced First Aid by the Red Cross over 15 times in my life, the videos and booklets always have a guy and say the same thing about clutching his chest and/or bicep.

And people laugh when I tell them women are still invisible in this world.”

distractedbyshinyobjects

re: feministing - for women, heart attacks look different

(via mistersnape)

(via ashaqueenasha)

psa 

September282014

fucknofetishization:

khaleesikun:

i literally hate when people always try to dismiss race and act like it “isn’t a problem anymore”

i’m mixed. my dad is a 6’3 black male, my mom is white w/ blonde hair and blue eyes.

you and your family have never been randomly pulled over by cops on several occasions just so they could ask your mom if she’s “okay” 

there’s still a fucking problem

interracial relationships dont end racism, point blank.

(via lassjetztlos)

racism 

September252014
popandhotdish:

prokopetz:

fangirlingdragon:

cutestmoose:

iwishtoreportaburglary:

thefamilyphantom:

ihaveanarmy-wehaveatimelord:

karen-valentine:

chianina:

heyfunniest:


Someone get this guy a fucking medal.

They made birth control for men. However it never got past the clinical testing stage because its side effects were things like “moodiness, extreme cramping, hunger, increased sexual drive” and were considered INHUMANE.

what the fuck do they think women go through every goddamn month seriously

I’M SORRY MEN CAN’T HANDLE MENSTRATION

men are pussies

Men are not pussies because they can’t handle having one

men are penises

the post was amazing and the comments made it better.

Oh, it’s even worse than that.
Hormonal birth control for men has been a solved problem since the 1970s, and the current iterations of the technology are actually substantially superior to equivalent treatments for women, demonstrating higher effectiveness, less dangerous side effects, and lower prevalence of side effects in virtually all modern trials. At this point, some forty years on, such treatments continue to be refused certification on the ostensible basis of concerns over the purely hypothetical effects of long-term use.
Meanwhile, a hormonal birth control treatment for women whose known and documented side effects include “sudden death” can go from the laboratory to the pharmacy shelf in under five years.
Really shows you where our priorities lie, doesn’t it?

But shifting the responsibility of contraception to men would make them think that somehow an unplanned pregnancy is partially their fault! And the patriarchy says women and other genders must never, EVER tell men that they are to blame.

popandhotdish:

prokopetz:

fangirlingdragon:

cutestmoose:

iwishtoreportaburglary:

thefamilyphantom:

ihaveanarmy-wehaveatimelord:

karen-valentine:

chianina:

heyfunniest:

image

Someone get this guy a fucking medal.

They made birth control for men. However it never got past the clinical testing stage because its side effects were things like “moodiness, extreme cramping, hunger, increased sexual drive” and were considered INHUMANE.

what the fuck do they think women go through every goddamn month seriously

I’M SORRY MEN CAN’T HANDLE MENSTRATION

men are pussies

Men are not pussies because they can’t handle having one

men are penises

the post was amazing and the comments made it better.

Oh, it’s even worse than that.

Hormonal birth control for men has been a solved problem since the 1970s, and the current iterations of the technology are actually substantially superior to equivalent treatments for women, demonstrating higher effectiveness, less dangerous side effects, and lower prevalence of side effects in virtually all modern trials. At this point, some forty years on, such treatments continue to be refused certification on the ostensible basis of concerns over the purely hypothetical effects of long-term use.

Meanwhile, a hormonal birth control treatment for women whose known and documented side effects include “sudden death” can go from the laboratory to the pharmacy shelf in under five years.

Really shows you where our priorities lie, doesn’t it?

But shifting the responsibility of contraception to men would make them think that somehow an unplanned pregnancy is partially their fault! And the patriarchy says women and other genders must never, EVER tell men that they are to blame.

(Source: tastefullyoffensive)

sexism 

5PM
atane:

zuky:

nezua:

Flappers shaming Miley Cyrus.

Oddly enough we could say that Miley Cyrus is following solidly in the appropriative footsteps of white flappers, who in the 1920s grabbed national attention and stirred alarmism concerning the end of civilization because they partied to Black music, wore their hair short like Josephine Baker (who fled US racism to become a superstar in Europe), and imitated dance moves from Baker and other Black dancers. The famously flapperesque Charleston was lifted from the African American dance called the Juba, which had West African roots and was danced in secret in the South and the Caribbean. The dance sped up when it reached Harlem, giving birth to both tap dancing and the Broadway hit called The Charleston, which spread like wildfire from there. White people didn’t sway their hips this scandalously prior to that era, making flappers roughly equivalent to white twerkers of the Jazz Age.

This is 100% true. The period from the jazz age to the beat generation, comparatively speaking was the height of cultural appropriation of black art. The beat generation used lingo popularized by Lester Young. They then appropriated the style, dress, and lingo of bebop musicians like Charlie Parker and Dizzy Gillespie, down to the beret, glasses, and soul patch. Bebop musicians, Parker and Gillespie in particular, were the blueprint of their image. Norman Mailer wrote an essay titled “The White Negro" that tackles this phenomenon. I’m no fan of Norman Mailer, but at least he admitted that white people were stealing from blacks. He wrote it in 1957.
With regards to the flappers, apart from Josephine Baker, they also liberally borrowed from black vaudeville performers. They would copy dance moves from black performers, and then introduce it as their own. Many dances attributed to whites are from black vaudeville performers who were forced to perform on the chitlin’ circuit because of segregation and Jim Crow laws.
It really is astonishing how nothing has changed in this regard. For example, people to this day still call Benny Goodman “the king of swing”, when what he did was procure charts for arrangements from Fletcher Henderson, a black man. Goodman’s biggest hits were from Henderson. It’s amazing how much credit Goodman gets for another man’s work. Of course Goodman became “the king of swing”, while Fletcher Henderson remains a footnote in history. How a white man becomes the king of something innovated by blacks is astounding. Benny Goodman is called “the king of swing”. Paul Whiteman is called “the king of jazz”. Elvis Presley is called “the king of rock n roll”. Is Eminem the king of rap? What about Justin Timberlake and Robin Thicke with r&b? Miley is soon on her way to become “the queen of twerking”.
Anyway, apart from getting his charts from Fletcher Henderson, Benny Goodman got his ass handed to him by Chick Webb at the Savoy Ballroom when they had a battle of the bands. Goodman is often noted as being one of the few white men in the segregation era to have black men in his band, and the narrative is typically presented as if he did it out of benevolence. He did it because there was no way to get around the fact that swing music was the domain of black folks, and he poached the best black players he could find to bolster his band, and black musicians went with him because as a white man, he was able to pay them more than black bandleaders, and they wouldn’t have to deal with indignity while traveling. Many hotels refused black bands, so they often had to sleep in cars, bus terminals, or crash at the homes of hospitable blacks. A big portion of Duke Ellington’s money went towards renting out train cars and making sure his orchestra had a place to sleep while on the road because hotels often turned them down because they were black. These were issues Goodman wasn’t going to face. Black musicians certainly didn’t go with him because he was the best. Goodman even later hired Henderson to arrange and play in his band. He wasn’t doing it because he loved black people. Black people were the ones creating and innovating. Where else would he get the best charts and arrangements? Now that the smoke has cleared and the dust has settled, Goodman gets all the credit. Funny how that works.
This stuff has been going on for a long time. Miley is the 2013 version. Twerking has been around for a long time, but Miley convulses on national tv and all of a sudden, dictionary definitions of twerking are made. Definitions complete with no mention of black people, like all this happened in a vacuum. It’s history repeating itself over and over again. I see the same thing happening with afrobeat music.

atane:

zuky:

nezua:

Flappers shaming Miley Cyrus.

Oddly enough we could say that Miley Cyrus is following solidly in the appropriative footsteps of white flappers, who in the 1920s grabbed national attention and stirred alarmism concerning the end of civilization because they partied to Black music, wore their hair short like Josephine Baker (who fled US racism to become a superstar in Europe), and imitated dance moves from Baker and other Black dancers. The famously flapperesque Charleston was lifted from the African American dance called the Juba, which had West African roots and was danced in secret in the South and the Caribbean. The dance sped up when it reached Harlem, giving birth to both tap dancing and the Broadway hit called The Charleston, which spread like wildfire from there. White people didn’t sway their hips this scandalously prior to that era, making flappers roughly equivalent to white twerkers of the Jazz Age.

This is 100% true. The period from the jazz age to the beat generation, comparatively speaking was the height of cultural appropriation of black art. The beat generation used lingo popularized by Lester Young. They then appropriated the style, dress, and lingo of bebop musicians like Charlie Parker and Dizzy Gillespie, down to the beret, glasses, and soul patch. Bebop musicians, Parker and Gillespie in particular, were the blueprint of their image. Norman Mailer wrote an essay titled “The White Negro" that tackles this phenomenon. I’m no fan of Norman Mailer, but at least he admitted that white people were stealing from blacks. He wrote it in 1957.

With regards to the flappers, apart from Josephine Baker, they also liberally borrowed from black vaudeville performers. They would copy dance moves from black performers, and then introduce it as their own. Many dances attributed to whites are from black vaudeville performers who were forced to perform on the chitlin’ circuit because of segregation and Jim Crow laws.

It really is astonishing how nothing has changed in this regard. For example, people to this day still call Benny Goodman “the king of swing”, when what he did was procure charts for arrangements from Fletcher Henderson, a black man. Goodman’s biggest hits were from Henderson. It’s amazing how much credit Goodman gets for another man’s work. Of course Goodman became “the king of swing”, while Fletcher Henderson remains a footnote in history. How a white man becomes the king of something innovated by blacks is astounding. Benny Goodman is called “the king of swing”. Paul Whiteman is called “the king of jazz”. Elvis Presley is called “the king of rock n roll”. Is Eminem the king of rap? What about Justin Timberlake and Robin Thicke with r&b? Miley is soon on her way to become “the queen of twerking”.

Anyway, apart from getting his charts from Fletcher Henderson, Benny Goodman got his ass handed to him by Chick Webb at the Savoy Ballroom when they had a battle of the bands. Goodman is often noted as being one of the few white men in the segregation era to have black men in his band, and the narrative is typically presented as if he did it out of benevolence. He did it because there was no way to get around the fact that swing music was the domain of black folks, and he poached the best black players he could find to bolster his band, and black musicians went with him because as a white man, he was able to pay them more than black bandleaders, and they wouldn’t have to deal with indignity while traveling. Many hotels refused black bands, so they often had to sleep in cars, bus terminals, or crash at the homes of hospitable blacks. A big portion of Duke Ellington’s money went towards renting out train cars and making sure his orchestra had a place to sleep while on the road because hotels often turned them down because they were black. These were issues Goodman wasn’t going to face. Black musicians certainly didn’t go with him because he was the best. Goodman even later hired Henderson to arrange and play in his band. He wasn’t doing it because he loved black people. Black people were the ones creating and innovating. Where else would he get the best charts and arrangements? Now that the smoke has cleared and the dust has settled, Goodman gets all the credit. Funny how that works.

This stuff has been going on for a long time. Miley is the 2013 version. Twerking has been around for a long time, but Miley convulses on national tv and all of a sudden, dictionary definitions of twerking are made. Definitions complete with no mention of black people, like all this happened in a vacuum. It’s history repeating itself over and over again. I see the same thing happening with afrobeat music.

(Source: melanskyyworld, via fralusans-ana-marein)

September232014

jamietheignorantamerican:

"The Police say the fire was accidental."

Oh. Riiiiight. The Police. The Ferguson Police. The Police who stepped on and let their dogs urinate on the Mike Brown Memorial. The Ferguson Police who covered up Mike Brown’s shooting, the Police who started martial law and shot rubber and wood bullets into crowds of peaceful protestors. The Ferguson Police. That Police??? I DUNNOOOOOO.

(via cannedviennasausage)

6PM
12PM
tumblricans:

Grito de Lares
23 de septiembre de 1868

tumblricans:

Grito de Lares

23 de septiembre de 1868

12PM

stylinfcuk:

laughing so hard because this is so accurate

(via seagreeneyes)

yup 

September212014

socialjusticekoolaid:

Can’t stop, won’t stop: Protesters in Ferguson rally again, seeking justice for Mike Brown. More than a month and a half after his death, his killer, Darren Wilson, is still a free man. (Pt 2) 

Because it wouldn’t be a protest in Ferguson without fuckery from the police. A driver plowed his car through protesters, grazing several and running over a young boys foot. Beyond taking several hours to transport the boy to the hospital, they took even longer to arrest the motorist. Who did they not wait long to arrest? Two of the protesters who had been documenting the altercation for the world to see. If you’re not angry, you’re not paying attention. #staywoke #farfromover #nojusticenopeace

(via tangleofrainbows)

September192014

lareinaana:

arienreign:

Why isn’t anyone talking about this?
http://www.dailydot.com/news/darrien-hunt-shot-by-police-while-cosplaying/

Watch non black cosplayers and lovers of cosplay stay silent on this.

(via cannedviennasausage)

12AM

sociolab:

Do you ever think about the fact that the US has created and legitimized a system of institutionalized inequality by funding schools through property taxes?  That basically a child’s education is only as good as the value of the property in their neighborhood.  Funny how education is so often viewed as an equalizing factor when there is nothing equal about it.

(via ijeyandtheferociousbeast)

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